HISTORY
This story began in mid-2010 when The Trickster had a vision—one of personal and collective evolution, an awakening of the self. It was an event that profoundly altered his perception of existence, igniting the spark that would later become the foundation of the Spectrophobia video. But with this revelation came a paradox—an unsettling contradiction between what was seen and what truly is. Between the divine and the earthly, between truth and illusion.
A call stirred within—a relentless urge to withdraw from the familiar, to seek solitude and embark on a journey inward. To confront the depths of the self, to wrest control from fate, and to reclaim the reins of existence.
It wasn’t until October 2012 that the paths of The Trickster and The Pilgrim intertwined. Both had set their sights on Europe, drawn by the magnetic pull of Dead Can Dance and their European tour.
Their music had been more than just an influence—it had shattered illusions, pried open Pandora’s Box, and propelled them toward self-discovery. What began as a pilgrimage to witness a band soon turned into something much more profound. They traversed thirteen locations across six countries in Western and Central Europe, each destination pulling them further from the weight of everyday life, further from the constructs they once clung to. The detachment grew, like a shedding of skin, peeling away layer after layer of the known.
This journey bore an undeniable connection to death—not as an end, but as a transformation. Every step was steeped in symbolism: the sorrowful beauty of Dark Romanticism, the somber grace of medieval castles, the haunting stillness of sacred cathedrals and great tombs. They wandered through exotic exhibitions filled with ancient texts, figures, symbols, and forgotten architectures, absorbing echoes of lost knowledge.
Even a visit to an old concentration camp left a scar upon their souls—a place where humanity had been reduced to mere ashes, where the void had swallowed hope. The air was cold, the landscapes unfamiliar. Some places held a mystical aura; others a suffocating nostalgia. Yet, all of them whispered the same undeniable truth—this was a world of masks, a world of shadows and illusions.
What is existence? A fleeting spark clothed in flesh? A mere structure of bones—an existential shell, hollow yet weighed down by the burden of awareness?

Postcard from Melk Abbey, Austria. Catacomb Saint Clemens. Photo by Graz Baumgartner.
With each passing day, The Trickster felt the weight of something unseen pressing upon him. A presence. A shadow. A hunter lurking in his periphery. The nights were plagued by vivid, almost prophetic dreams. It was as if his very soul had clawed its way from the depths of death and chaos, as though he was bound to an essence both ancient and ominous.
A realization began to sink in—one that cut deep like a blade:
There is no way out. There is no escape.
Only solitude. Only the abyss, staring back.
Why do we suffer?
Our hearts and minds are fragile, fragmented—incomplete pieces of something lost. Those who fail to understand remain forever trapped, crystallized like stone, suffocating the energy of transformation. They drown in the murky depths of their own thoughts, shackled by resentment, burdened by their own misery.
Perhaps, deep inside, we remember something long forgotten—a home beyond time, a longing to return to what we once were.
But return to what?
Time teaches reverence.
It compels you to respect the silence within—the vast, unshaken emptiness that lingers at the core of existence. What once seemed like an unbearable void now reveals itself as a source of wisdom, an infinite well of understanding.
But why?
Why do some of us wrestle with deeper existential dilemmas, while others drift unbothered by such thoughts?
We all hear the call—that whisper in the depths of our being, the pull toward something beyond ourselves.
And yet, not all choose to answer.
Why?
Is it fear?
Is it the weight of the unknown, the terror of dissolving into something greater than the self?
Perhaps.
But know this:
The one who suffers is your own divinity.
That fracture, that longing, that quiet ache in your soul—it is not weakness.
It is the echo of something eternal. The voice of what you were before the world told you who to be.
To suffer is to awaken.
To awaken is to return.
But return to where?
That… is the question only you can answer.

It was in the fall of 2012, on October 27th, in the heart of Prague, that the convergence occurred.
A lone figure wandering through forests bathed in the hues of autumn, where leaves lay thick upon the ground like the pages of an unwritten tale. And then, the moment arrived.
The resistance crumbled. The weight of detachment dissipated. Time no longer mattered. There was only a profound silence—a stillness that whispered of something ancient, something forgotten.
A moment of peace. Of surrender. Of truth.
The realization settled like a final breath:
Nature is the mirror of the soul.
It reveals what we have lost, yet offers a way back—to rediscover, to survive, to evolve. That is transcendence.

And in that moment, the name ESSENTH emerged—
A fusion of two words: Essential Death.
The necessity of destruction. The death of the known, of the conditioned mind, of the limits we place upon reality itself. To step beyond conventions, beyond certainty, beyond what we have been taught. To let go of the structures that give false security.
To burn in the fire of the present.
To exist fully, unshackled.

Demian by Hermann Hesse.
Quoting from Hermann Hesse:
“The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world”…
All who want to be reborn must go through this death.
Essential Death…
Upon returning home, The Trickster revisited his writings—pages upon pages of reflections, scrawled since 2010. The memories ignited something within, compelling him to act.
The first recording began. A rhythm guitar—raw, unfiltered—a catharsis in twelve movements. Each track is a stage in the journey toward self-understanding. Over time, the music expanded—lead guitar, bass, piano, vocals—a layered composition of awakening and descent.
What emerged was more than an album—it was an entity.
A soundscape forged from contradiction:
A fusion of alternative metal and rock, a vessel of existential enigma, a storm of unsatisfied anger and disillusionment toward how far we have drifted from unity.
A vision of what lies ahead. A prophecy of evolution—transcendence or destruction.
This was the beginning of ESSENTH.
ALBUM ARTWORK
‘Solve Et Coagula’: As above, so below. As within, so without. Graphite technique, 2018.



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